The Oteiza Museum has published the catalogue of its newspaper and periodicals collection on its website.  It contains over a thousand articles from newspapers and magazines, both from the Jorge Oteiza archives and the periodicals that the Museum has collected since 2004.
The newspaper and periodical catalogue is similar to the one for the library that, with over sixteen thousand book and leaflet entries, has been available online since 2009 and has a help section with tips for more successful searches. The users can contact the Oteiza Museum Study Centre with any query or request by sending an email to documentacion@museooteiza.org.
The online presence of these two catalogues will be shortly be consolidated with the publication of the catalogue of Jorge Oteiza’s personal archives, which contains more than 20,000 entries covering his manuscripts, photographs and audiovisual works. 

More than one hundred works, including paintings, drawings and other documentary materials, make up this exhibition covering the twenty years that Palazuelo spent in Paris, a decisive stage in his artistic training and about which is little known. The exhibition will travel to the Spanish Abstract Art Museum (Cuenca) and to the Oteiza Museum (Alzuza). The Pablo Palazuelo. París, 13 rue Saint-Jacques (1948-1968) exhibition features more than one hundred works, many of which have never been exhibited before, including paintings and drawings, along with a range of documentary materials (photographs, documents and letters) that cast further light on the arrival and stay of Pablo Palazuelo (Madrid, 1915-Galapagar, Madrid, 2007) in Paris. The exhibition, curated by Alfonso de la Torre, is a co-production of the Juan March Foundation and the Jorge Oteiza Museum Foundation, in conjunction with the Palazuelo Foundation. The exhibition will be on view at the Juan March Foundation and at the Alzuza Museum on the following dates:

-Juan March Foundation – Palma de Mallorca:22 June to 30 October 2010.

-Spanish Abstract Art Museum (Cuenca): 19 November 2010 to 27 February 2011

-Oteiza Museum, Alzuza: 11 March to 29 May 2011

Links: Fundación Juan March

He is presenting the quadriptych, “About Arantzazu,” at the Museum

The painter José Ignacio Agorreta has gone into the work that Jorge Oteiza carried out on the facade of Arantzazu in great depth, with his pictorial reinterpretation of one of the apostle’s heads carved by the sculptor, which he has used as a model to create a quadriptych entitled “About Arantzazu”, which has been presented today at the Oteiza Museum. Agorreta’s intervention falls within the context of the “Interpretations” Programme promoted in collaboration with the Pamplona Area Municipalities Association, which forms, once visitors have gone round the Museum Collection, a space for dialogue between Oteiza’s work and the current reinterpretations of his work being carried out by contemporary artists. Agorreta’s work will be on display from the 17th of June to the 26th of September 2010, and is based on a reinterpretation of one of the main elements in the work carried out by Oteiza at Arantzazu: the dramatic heads of the apostles that mark the Frieze on the façade of the Shrine in Guipuzcoa and which are also displayed at the Museum. “The apostle’s heads that are on display in Alzuza are both beautiful and polished; they are not only expressive but also grave. The various pieces are all equally moving and that is why I decided to paint my own frieze taking these as a reference for my work”, Agorreta pointed out, who was convinced right from the start that his piece would deal with this aspect of Oteiza’s work.  “I still needed to decide how many apostles my work was going to have and this was not a minor decision, as the artist himself could have warned me, but I found the answer to both questions in a document written by Oteiza. In this the sculptor included a report in which among other considerations he said, ‘in this way the concept of an apostle is repeated 14 times, just as it could have been repeated 6 or even 50`. This enabled me to choose one of the heads to represent all of them”. The quadriptych presented by Agorreta is made up of four pieces measuring 70 x 80 centimetres each, painted in oils on canvas, although one of its special features is that he does not use a paintbrush, but applies the oil with paper. “First I strike the canvas with paper impregnated with pigment and I gradually press down and remove this, in order to play with the atmospheres that are created by superimposing prints”, the artist explains. “In this way I play with the creases that occur in the process and with the capacity to reveal or conceal the figures, depending on the expressive resources revealed during the working process”. José Ignacio Agorreta (Pamplona, 1963) is an artist with a long creative career, who has displayed work at numerous group and solo exhibitions. Among these it is especially worth mentioning the ones that have recently been held at the Ciudadela or at the Pintzel & Agurcho Iruretagoyena Galleries in Pamplona; the Gustavo de Maeztu Museum in Estella, the Juan Bravo gallery in Madrid, or the Carme Espinet gallery in Barcelona, the Nélida gallery in Segovia or the Tolmo Gallery in Toledo. He has recently taken part in the group exhibition “Cinco Claves de la Pintura Navarra” (Five keys to Navarrese Painting), put on at the European Parliament in Brussels and the Parliament of Navarre. His intervention in the “Interpretations” series, which has been included in a monographic publication brought out by the Oteiza Museum, has taken place after those carried out by other artists such as Iratxe Montero, Pedro Salaberri , David Rodríguez Caballero and José Miguel Corral and before the forthcoming intervention by Koldo Sebastián.

Links http://www.joseignacioagorreta.com/